It really shouldn't even be mentioned unless it is part of the story and if is part of the story then mention it in the action.ĭusk. They are tallied into a report so that shoots can be grouped based on where and when, so that they can be scheduled effeciently.Īnything other than DAY and NIGHT on the slug line is sort of silly because essentially up to the director. The DAY and NIGHT time indicators are really only for production. Not that I don't like it, just I feel it might be better a different way.Īnyway, how do you guys deal with Time variables in sluglines? What do you find is the best for scripts to be smooth and easy to read? But as I polish it up, I'm contemplating changing it. That seemed to make the script flow better. The one they did say to stay away from was MOMENTS LATER or LATER.įor me and Sunset Summer where there were a number of scenes take place during sunset, I usedīut the most I believe I just indicated in the action that the sun is setting and described it. However after talking with a few known screenwriters, they say that AFTERNOON, EVENING and DUSK and DAWN are becoming more and more common. in sluglines what do you use for stuff like Sunset, twilight, and so on? What have you been taught on this in terms of rules, what are you comfortable with both in reading scripts and writing?įor me, I was taught to use DAY/NIGHT almost exclusively. In terms of DAY, NIGHT, EVENING, AFTERNOON, etc. So I'd figure I'd start as I've seen so many variables in spec and studio produce scripts. Was searching to see if there were any questions on this and couldn't locate them. This screenplaymay not be used or reproduced for any purpose including educational purposes without the expressed written permission of the author. How do I get my film's link and banner here?Īll screenplays on the and domain are copyrighted to their respective authors. Short Script of the Day | Featured Script of the Month | Featured Short Scripts Available for Production
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#Continuous in slugline movie
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